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Tainted Writing

I must admit I was a bit disappointed with the way the second season of The Flash ending. One of the reasons I have kept up with this show while letting so many of the other “superhero” shows go was its focus on light rather than dark.

However, the millennial way of doing things seems to be get a viewer invested in a “good guy” then show he’s been bad all along.

Sorry, good writing doesn’t work that way.

It is easy for a good man to pretend to be bad, but it is impossible for a bad man to pretend to be good. (see Mirror, Mirror, STOS)  Even his efforts at “good” are tainted by darkness, and one instinctively doesn’t completely trust him even at his most charming.

This tendency to trick the viewer or reader into believing someone is good, knowing deep down he is bad is just poor writing. To be truly effective, one must show the villain in all his evilness, while presenting a “charming” appearance to the hero; leaving the audience breathlessly moaning, ‘no, no, no, don’t trust him!.” An excellent example is David Copperfield’s Uriah Heep, a mousy little man with sufficient power to wreak havoc in the lives of the main characters all the while pretending to be humble servant. The reader suffers intensely wondering when, or if, David and the others will ever figure out this desperately wicked person and be free of his machinations.

Understandably, it is harder to portray that in film, but the best cinematographers excel at it. Maybe through a glance, a gesture, an aside, or just the attitude of the hero. Take Frank Capra’s portrayal of Mr. Potter in It’s a Wonderful Life. We see the evil things he does, but when he is his most charming, offering George a great job, it is George’s reaction to the handshake that reveals the depth of Potter’s treachery. A certain look in his eyes, then rubbing his hand against his trousers. Iconic.

I’ll keep watching Flash, but it’s lost a bit of the wonder for me. Plot twists simply for the sake of “rebooting” are simply childish.

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